If you are creating a project for a client and they love it, but they just want it from a different angle, it would take much longer to draw in Illustrator or Photoshop. In 3D, you can easily rotate the object or the camera.

Access to 3D tools can help you think outside of the box when creating designs. You can discover new ways to complete a project and the process can be fun. You'll be able to work on new projects that your skills didn't give you access to before. Additionally, if you're feeling uninspired by 2D, you can see if 3D sparks the flame.

I want to talk about increasing diversity in animation and share what I feel my role is and the topics surrounding that.

Representation

• I want to make sure that kids have the opportunity to see someone that looks like them doing the things they want to do. I can inspire kids, no matter what they look like to go into animation, but I want to make sure that little girls and minority kids get to see themselves represented.

Increasing the Diversity in the Diversity

• Sometimes, not all the time, the minorities and women in the animation industry have the same interests as the majority. I want to make the animation industry like other industries where you don't think of one type of person when you think of someone in animation. I want to reach that kid that's not a raving fan of Star Wars; that girl that has never watched anime; or that boy who doesn't want to work at a plant when he gets older.
  

In that I’m sort of a different breed of animation professional, I have to navigate through a lot of stuff that is pretty ridiculous when trying to grow as a young professional. I’m always applying to leadership programs and different young professional ventures and getting denied over and over again. I do realize that it’s partially because I live in Louisiana where connections are more important than accomplishments or degrees most times.

I feel like when I’m applying to programs or talking to people, there’s this air of “she’s in animation; what could she possibly offer.” Luckily, I’ve learned how to be more strategic lately (lately being last year). I purposely told someone I knew that I was applying to a leadership development program for one of the young professional groups here because she was a project manager for the program. Guess what...I made it in!! And then for another NOLA young professional ambassador program, I emailed someone I met in the the leadership development program because she works at the organization putting on the program. I made it into that, and during the first session, I was talking to her and she told me, “I fought for you!” I’m very appreciative of that, but I’m thinking, I’m pretty accomplished, why did she have to fight for me? I looked at the bios of some of my cohort members and I didn’t get it.

I made it!! I'm finally working at an animation company. These are my thoughts back in 2010. I was on a team of about 10 people; two modelers, five animators; and three compositors who were also supervisors. I was a modeler.

When I started, they were using a program called Softimage XSI. I had never even heard of this program before. But I am always up for a challenge. My director, Eddie, sat down with me and showed me around Softimage. He showed me the navigation and some tools. He then told me to give it a try. At that point, I decided to find a tutorial that would help me get acclimated with the program.

I searched online and found a jellyfish tutorial. It took me a couple hours to get through the tutorial and I called Eddie back over. He approved. Now I wanted to know what I was to do next? Bam! My first real assignment. On my first day! He gave me a scene that had the Family Guy neighborhood in it. We were working on the "Road to the North Pole" episode, so my assignment was to put snow on the houses. It took me TWO WEEKS to put snow on those houses. Don't worry. I got much faster over time and was able to add another weapon into my animation arsenal.

I wrote about how I got my job working at Digital eMation and that was followed by a lot of good questions and things that I realized I should share with people for clarity purposes. One thing I wanted to mention; I was the first foreigner that worked for Digital eMation directly. There were Canadian supervisors, but they worked directly for Fox. So I was the first international minion, as I used to say!

I was very appreciative to have gotten my start teaching because that's where I learned a lot about Korean culture. That first year was when I came up with my theory that helped me survive Korea.

I'm also very observant so that helped me in explaining how things work, what to let go and what to bring up. I remember once, I emailed the vice president because when we were eating lunch or when we were congregated together, there would be times where I heard my name over and over again, but they weren't talking to me. One thing a person in a foreign country knows is that, even if you don't know the language and what people are saying, you know what your name sounds like. So I messaged her just to tell her that I felt uncomfortable constantly hearing my name when they weren't talking to me. What they were saying could have been innocent, but since I didn't know what it was, it was awkward. It stopped after that.

I survived a lot of differences by justifying the heck out of what they were doing. Sometimes it was less stressful to find out the reason or make up a reason than dwelling on any particular issue.

Check out my follow-up post after reading this one: More About Working at an Animation Company in South Korea

From 2010 to 2011, I was a 3D Artist at Digital eMation, an animation company in Seoul, South Korea. From the time, I started, people have wondered how I got the job; what job board or website did you use? Well, I definitely took the road less traveled.

When I came to South Korea, I came as a native English teacher and worked in Gwangju (Jeollanamdo) which is the sixth largest city in Korea. It was coming up on the time where you decide if you're going to renew your teaching contract. Being a teacher in Korea is kind of like being in a dream world. You have four classes a day and weekends off. With the cost of living, you can save half of your income and still eating out every day. It's easy to forget your actual dreams when your life is relatively easy and money is aplenty. Considering all of this, I was seriously thinking about doing a second year of teaching.

I went to visit a friend and while talking to him about it, he reminded me, "Don't you have a degree in animation?" And I responded, "Oh yeah!" It was kind of a wake up call. I was almost sucked into the black hole of the Korea dreamland.  I had to remember and realize that no matter what industry you're in, the longer you stay away, the harder it will be to get your big break. And you ultimately get further behind your peers that are "doing it". At that moment, I decided that I wasn't going to renew my contract and I was moving back to America.